I suspect that that type of sound is about the same, but (possibly?) the fiberglass bell elbow might absorb a bit more of the sound-column's vibration (and I may well be full of beans...but it seems slightly louder, for the same effort).
This was the trade that I did when in Pittsburgh, and - prior to just now - it was dented and pinged up, and the rim and collar weren't completely straight.
In exchange, the other person received a (VERY nicely smoothed out) Olds/Conn/Reynolds (??) 16" bell, as well as a new/old-stock SPECIFICALLY-FOR-FIBERGLASS King sousaphone male bell collar (tall flange for more gluing surface, as well as a wider shelf - to accommodate fiberglass vs. sheet brass). ...Their plan is to make a carbon-fiber upright bell for a detachable-bell-style King tuba body, and I wish them the best...The new male connector should work much better for them than one made for a sheet metal bell (which is why they had acquired the King sousaphone bell - to harvest the male connector), and sousaphone male connector dimensions (vs. tuba) are the same.
I just did a quick job on this bell...It's plenty good enough for me to use in Mardi Gras parades, brass band jobs, the occasional NBA game...
...and I may (??) decide to not use it consistently, because - even though this is a later-made one of thinner sheet brass - it's still ever-so-slightly top-heavy (compared to the fiberglass/plastic oem bell).
Anyway... (avoiding those that people are offering for $500 + shipping on eBay)...here 't'is...
(yeah...worn and scratchy)
me noticing: The bell throat area is subtly out-of-round (not bad...). Later, I might (??) go back over that part of it with a drum stick covered with flannel.

