For those of you who have been to tuba camps/Conferences/Masterclasses
Forum rules
This section is for posts that are directly related to performance, performers, or equipment. Social issues are allowed, as long as they are directly related to those categories. If you see a post that you cannot respond to with respect and courtesy, we ask that you do not respond at all.
This section is for posts that are directly related to performance, performers, or equipment. Social issues are allowed, as long as they are directly related to those categories. If you see a post that you cannot respond to with respect and courtesy, we ask that you do not respond at all.
For those of you who have been to tuba camps/Conferences/Masterclasses
What's the most off the wall comment/question to a pro or headliner of the event you have heard?
For example:
Quite awhile ago I went to a camp where there was this excellent Euphonium player telling us about his struggles and how difficult it was to get where he was at. He also casually mentioned that his wife was also a full time musician.
A person immediately after this raised there hand and asked:
"Don't you think you're life would have been easier had you have married a wealthier woman?"
For example:
Quite awhile ago I went to a camp where there was this excellent Euphonium player telling us about his struggles and how difficult it was to get where he was at. He also casually mentioned that his wife was also a full time musician.
A person immediately after this raised there hand and asked:
"Don't you think you're life would have been easier had you have married a wealthier woman?"
- Three Valves
- Posts: 4604
- Joined: Thu Aug 13, 2020 4:07 pm
- Location: The Land of Pleasant Living
- Has thanked: 812 times
- Been thanked: 500 times
Re: For those of you who have been to tuba camps/Conferences/Masterclasses
I swear it was not me!!
- These users thanked the author Three Valves for the post:
- Doc (Fri Jan 14, 2022 9:44 am)
Thought Criminal
Mack Brass Artiste
TU422L with TU25
1964 Conn 36k with CB Arnold Jacobs
Accent (By B&S) 952R with Bach12
The Fourth Estate is the Fifth Column
Mack Brass Artiste
TU422L with TU25
1964 Conn 36k with CB Arnold Jacobs
Accent (By B&S) 952R with Bach12
The Fourth Estate is the Fifth Column
- bloke
- Mid South Music
- Posts: 19248
- Joined: Thu Aug 13, 2020 8:55 am
- Location: western Tennessee - near Memphis
- Has thanked: 3825 times
- Been thanked: 4078 times
Re: For those of you who have been to tuba camps/Conferences/Masterclasses
opposite:
Roger Bobo recently made a rare USA appearance within striking distance of me, but - sadly - though I signed up to sit in the audience and listen - I was just too sick to go.
A friend of mine - and neither of us are youngsters – went (audited), and later called me and told me about some of the things he had to those who played for him.
Nothing was anything that no one has ever pointed out before, but some of the things that Mr. Bobo pointed out were stage presence things - about which younger (some older) tuba players just don’t seem to be aware - things that distract from their performance. I think it was very good for those young people to hear those things, and to become more self-aware.
Another thing that happened was that one particular person played remarkably well, and Mr. Bobo (ego under control, and to the point that he doesn’t feel that he needs to criticize someone just because they expect him to make some comments) reportedly just said something like, “That’s some fine playing. Congratulations.”
Roger Bobo recently made a rare USA appearance within striking distance of me, but - sadly - though I signed up to sit in the audience and listen - I was just too sick to go.
A friend of mine - and neither of us are youngsters – went (audited), and later called me and told me about some of the things he had to those who played for him.
Nothing was anything that no one has ever pointed out before, but some of the things that Mr. Bobo pointed out were stage presence things - about which younger (some older) tuba players just don’t seem to be aware - things that distract from their performance. I think it was very good for those young people to hear those things, and to become more self-aware.
Another thing that happened was that one particular person played remarkably well, and Mr. Bobo (ego under control, and to the point that he doesn’t feel that he needs to criticize someone just because they expect him to make some comments) reportedly just said something like, “That’s some fine playing. Congratulations.”
- matt g
- Posts: 2580
- Joined: Thu Aug 13, 2020 10:37 am
- Location: Southeastern New England
- Has thanked: 263 times
- Been thanked: 554 times
Re: For those of you who have been to tuba camps/Conferences/Masterclasses
The “I must say something” condition exists in many other places where a “expert” has been called in to help, consult, and/or provide insight.
Most of the better ones don’t say much if things are fine. Sometimes they might ask how someone got to the place they are at out of curiosity. It’s often the people suffering from imposter syndrome, whether they are experts or not, that feel compelled to say something. That is, they aren’t earning their pay if they don’t have a comment or criticism for everything. Someone of Mr. Bobo’s status understands this. I remember Arnold Jacobs being quite similar in a master class with his efficiency of comments. Also note: the less a person says, then the more opportunity there is for these students to learn by playing for each other.
Speaking of the CSO…
When I was a wee lad in undergrad, Mr. J. Lawrie Bloom, a fine clarinetist and especially on bass clarinet, was engaged for a master class at my college. Myself and a few other brass players showed up just to hear his comments and perspectives on being a professional musician. Well, yours truly asked him what it’s like to sit in front of Bud Herseth. I think that was a question he had not heard before or at least not often. He thought about it for a moment and said something along the lines of how it was the precision and musicianship of which Mr. Herseth and the rest of the brass section could execute on soft passages that set them apart from other orchestras he’d played with. Sure, they were fantastic at those loud climaxes that we all know and love, but the ability to convey music when playing legato and pianissimo was unparalleled, in his experience.
I was glad I asked that question.
Most of the better ones don’t say much if things are fine. Sometimes they might ask how someone got to the place they are at out of curiosity. It’s often the people suffering from imposter syndrome, whether they are experts or not, that feel compelled to say something. That is, they aren’t earning their pay if they don’t have a comment or criticism for everything. Someone of Mr. Bobo’s status understands this. I remember Arnold Jacobs being quite similar in a master class with his efficiency of comments. Also note: the less a person says, then the more opportunity there is for these students to learn by playing for each other.
Speaking of the CSO…
When I was a wee lad in undergrad, Mr. J. Lawrie Bloom, a fine clarinetist and especially on bass clarinet, was engaged for a master class at my college. Myself and a few other brass players showed up just to hear his comments and perspectives on being a professional musician. Well, yours truly asked him what it’s like to sit in front of Bud Herseth. I think that was a question he had not heard before or at least not often. He thought about it for a moment and said something along the lines of how it was the precision and musicianship of which Mr. Herseth and the rest of the brass section could execute on soft passages that set them apart from other orchestras he’d played with. Sure, they were fantastic at those loud climaxes that we all know and love, but the ability to convey music when playing legato and pianissimo was unparalleled, in his experience.
I was glad I asked that question.
Dillon/Walters CC (sold)
Meinl-Weston 2165 (sold)
Meinl-Weston 2165 (sold)
- Doc
- Posts: 2471
- Joined: Thu Aug 13, 2020 9:48 am
- Location: Downtown Browntown
- Has thanked: 845 times
- Been thanked: 766 times
- Contact:
Re: For those of you who have been to tuba camps/Conferences/Masterclasses
Yeah, yeah... a likely story.
- These users thanked the author Doc for the post (total 2):
- Three Valves (Fri Jan 14, 2022 9:48 am) • bloke (Fri Jan 14, 2022 5:59 pm)
Welcome to Browntown!
Home of the Brown Note!
Home of the Brown Note!
Re: For those of you who have been to tuba camps/Conferences/Masterclasses
The guest lecturer in one of my architectural courses was a master builder with math & physics masters degrees, his AIA, and a contractor's license. At one point he wryly mentioned that he could afford to be a practicing architect because his wife was a veterinarian.
- Three Valves
- Posts: 4604
- Joined: Thu Aug 13, 2020 4:07 pm
- Location: The Land of Pleasant Living
- Has thanked: 812 times
- Been thanked: 500 times
Re: For those of you who have been to tuba camps/Conferences/Masterclasses
Some of us can't help it if we attract successful women. Don't hate!!
Thought Criminal
Mack Brass Artiste
TU422L with TU25
1964 Conn 36k with CB Arnold Jacobs
Accent (By B&S) 952R with Bach12
The Fourth Estate is the Fifth Column
Mack Brass Artiste
TU422L with TU25
1964 Conn 36k with CB Arnold Jacobs
Accent (By B&S) 952R with Bach12
The Fourth Estate is the Fifth Column
- Kirley
- Posts: 247
- Joined: Sat Aug 22, 2020 8:46 pm
- Location: Oakland, CA
- Has thanked: 91 times
- Been thanked: 58 times
Re: For those of you who have been to tuba camps/Conferences/Masterclasses
Amen! How else would I be able to support this tuba habit of mine?Three Valves wrote: ↑Fri Jan 14, 2022 12:26 pm Some of us can't help it if we attract successful women. Don't hate!!
- These users thanked the author Kirley for the post:
- Three Valves (Fri Jan 14, 2022 2:55 pm)
- Tubajug
- Posts: 745
- Joined: Thu Aug 13, 2020 10:27 am
- Location: Nebraska
- Has thanked: 223 times
- Been thanked: 202 times
Re: For those of you who have been to tuba camps/Conferences/Masterclasses
A guest artist came our university and his wife was his accompanist. One of our tuba players made a joke about how his wife was far less helpful (she plays oboe).
Jordan
King 2341 with Holton Monster Eb Bell
King/Conn Eb Frankentuba
Pan AmeriConn BBb Helicon
Yamaha YBB-103
"No one else is placed exactly as we are in our opportune human orbits."
King 2341 with Holton Monster Eb Bell
King/Conn Eb Frankentuba
Pan AmeriConn BBb Helicon
Yamaha YBB-103
"No one else is placed exactly as we are in our opportune human orbits."