Mirapone 186-4 Learning curve
Forum rules
This section is for posts that are directly related to performance, performers, or equipment. Social issues are allowed, as long as they are directly related to those categories. If you see a post that you cannot respond to with respect and courtesy, we ask that you do not respond at all.
This section is for posts that are directly related to performance, performers, or equipment. Social issues are allowed, as long as they are directly related to those categories. If you see a post that you cannot respond to with respect and courtesy, we ask that you do not respond at all.
-
- Posts: 2
- Joined: Sat Dec 17, 2022 10:38 pm
- Has thanked: 7 times
- Been thanked: 0
Mirapone 186-4 Learning curve
I just got back into tuba playing and into a Miraphone 186-4v. Any advice on learning curve and what to work on and watch for?
- matt g
- Posts: 2583
- Joined: Thu Aug 13, 2020 10:37 am
- Location: Southeastern New England
- Has thanked: 263 times
- Been thanked: 555 times
Re: Mirapone 186-4 Learning curve
It’s probably one of the most “automatic” tubas made.
Find a reasonable and comfortable mouthpiece and just get to it.
Find a reasonable and comfortable mouthpiece and just get to it.
- These users thanked the author matt g for the post (total 2):
- jfhtubachristmas2022 (Sun Dec 18, 2022 8:53 pm) • Ace (Sun Dec 18, 2022 9:24 pm)
Dillon/Walters CC (sold)
Meinl-Weston 2165 (sold)
Meinl-Weston 2165 (sold)
- bloke
- Mid South Music
- Posts: 19377
- Joined: Thu Aug 13, 2020 8:55 am
- Location: western Tennessee - near Memphis
- Has thanked: 3861 times
- Been thanked: 4121 times
Re: Mirapone 186-4 Learning curve
The smoother (any tuba) works, the easier it is to play.
Fairly recently, I bought sort-of a fancy-pants tuba, and there's a LONG list of things that have needed to be changed to make it as easy to play as possible.
Some might shout me down, but (about) the first thing I do with all of my tubas is to "vent" the valves.
If you don't know what this is, plenty of people will explain it to you, and a few people (perhaps a very few) are safe people to ask to do it for you.
Fairly recently, I bought sort-of a fancy-pants tuba, and there's a LONG list of things that have needed to be changed to make it as easy to play as possible.
Some might shout me down, but (about) the first thing I do with all of my tubas is to "vent" the valves.
If you don't know what this is, plenty of people will explain it to you, and a few people (perhaps a very few) are safe people to ask to do it for you.
Last edited by bloke on Mon Dec 19, 2022 7:38 am, edited 1 time in total.
- These users thanked the author bloke for the post:
- jfhtubachristmas2022 (Sun Dec 18, 2022 11:19 pm)
- bort2.0
- Posts: 5258
- Joined: Thu Aug 13, 2020 9:13 am
- Location: Minneapolis
- Has thanked: 336 times
- Been thanked: 1001 times
Re: Mirapone 186-4 Learning curve
Don't overthink it, and don't overblow it.
Focus on gaining automaticity, where you learn "if I do this, then it sounds like THIS."
And don't expect it to sound like the CSO York. Expect it to sound like a Miraphone 186.
Have fun!
Focus on gaining automaticity, where you learn "if I do this, then it sounds like THIS."
And don't expect it to sound like the CSO York. Expect it to sound like a Miraphone 186.
Have fun!
- These users thanked the author bort2.0 for the post:
- jfhtubachristmas2022 (Sun Dec 18, 2022 11:28 pm)
- Mary Ann
- Posts: 3041
- Joined: Thu Aug 13, 2020 9:24 am
- Has thanked: 521 times
- Been thanked: 598 times
Re: Mirapone 186-4 Learning curve
I'm going to quote bloke here on something he said about working with his 98:
"....REALLY accurate balance of "buzz" and "air" (no...not "plenty of", but "exactly right") to avoid blurps and other types of misfires and fuzzy articulations."
This basically applies to any and all tubas; if you're really accustomed to one and switch, there it is again. The more fussy the tuba, the more important it is. For me, I've had to do this migrating to CC from Eb, because the "use of air" is different. So if you're starting out on a 186 I'd think this is something to pay attention to. From my horn playing, it is amazing how important it is to synchronize in slurs, when the valve finishes its travel and the buzz finishes its move to the new pitch. They have to match, and even on two different (French) horns the coordination is different (valve lever throw?) and has to be worked out if you want decent slurs. (Venting tuba valves helps, but AFAIK the difference is not discernible in horns and so they don't do it.)
"....REALLY accurate balance of "buzz" and "air" (no...not "plenty of", but "exactly right") to avoid blurps and other types of misfires and fuzzy articulations."
This basically applies to any and all tubas; if you're really accustomed to one and switch, there it is again. The more fussy the tuba, the more important it is. For me, I've had to do this migrating to CC from Eb, because the "use of air" is different. So if you're starting out on a 186 I'd think this is something to pay attention to. From my horn playing, it is amazing how important it is to synchronize in slurs, when the valve finishes its travel and the buzz finishes its move to the new pitch. They have to match, and even on two different (French) horns the coordination is different (valve lever throw?) and has to be worked out if you want decent slurs. (Venting tuba valves helps, but AFAIK the difference is not discernible in horns and so they don't do it.)
- These users thanked the author Mary Ann for the post (total 2):
- jfhtubachristmas2022 (Mon Dec 19, 2022 1:34 pm) • bloke (Mon Dec 19, 2022 2:47 pm)
- Three Valves
- Posts: 4614
- Joined: Thu Aug 13, 2020 4:07 pm
- Location: The Land of Pleasant Living
- Has thanked: 818 times
- Been thanked: 506 times
Re: Mirapone 186-4 Learning curve
You are off to a great start!
- These users thanked the author Three Valves for the post:
- jfhtubachristmas2022 (Mon Dec 19, 2022 1:34 pm)
Thought Criminal
Mack Brass Artiste
TU422L with TU25
1964 Conn 36k with CB Arnold Jacobs
Accent (By B&S) 952R with Bach12
The Fourth Estate is the Fifth Column
Mack Brass Artiste
TU422L with TU25
1964 Conn 36k with CB Arnold Jacobs
Accent (By B&S) 952R with Bach12
The Fourth Estate is the Fifth Column
- bloke
- Mid South Music
- Posts: 19377
- Joined: Thu Aug 13, 2020 8:55 am
- Location: western Tennessee - near Memphis
- Has thanked: 3861 times
- Been thanked: 4121 times
Re: Mirapone 186-4 Learning curve
I hit like on Mary Ann's post, because of the statement about venting valves on much smaller bore soprano and alto instruments not making much of a discernible difference if any. I did not click like because she quoted me, because I'm not very quote-worthy.
- These users thanked the author bloke for the post:
- York-aholic (Mon Dec 19, 2022 7:40 pm)
-
- Posts: 1440
- Joined: Thu Aug 13, 2020 10:39 pm
- Location: SoCal
- Has thanked: 1568 times
- Been thanked: 468 times
Re: Mirapone 186-4 Learning curve
For the record, I misquoted Bloke.
- These users thanked the author York-aholic for the post (total 2):
- bloke (Mon Dec 19, 2022 9:59 pm) • Mary Ann (Tue Dec 20, 2022 9:12 am)
Some old Yorks, Martins, and perhaps a King rotary valved CC
- jtm
- Posts: 1110
- Joined: Sat Aug 15, 2020 2:51 pm
- Location: Austin, Texas
- Has thanked: 704 times
- Been thanked: 209 times
Re: Mirapone 186-4 Learning curve
I got a 4 valve Bb 186 when I got back into tuba playing a few years ago. It was a good choice for my situation because I could be pretty sure that anything that sounded bad was something I needed to improve at rather than a problem with the tuba. It worked out great, and for not much money.
- These users thanked the author jtm for the post:
- jfhtubachristmas2022 (Tue Dec 20, 2022 9:56 pm)
John Morris
This practicing trick actually seems to be working!
playing some old German rotary tubas for free
This practicing trick actually seems to be working!
playing some old German rotary tubas for free