I realize not everyone has FB or is a member of the group it was posted in, so I took some screenshots and saved the pics. Being sold by Christopher Messinger for $12,500.







What's the alternative? I'm having trouble visualizing.UncleBeer wrote: Mon Sep 25, 2023 12:05 pm All those nice bows, now telescoped up inside each other.![]()
York.jpg
Either leave it alone (what the hell's wrong with BBb anyway, if a horn plays great?), or re-taper, or make suitable bows from scratch which won't be such an acoustical nightmare.
I see what you're saying now—the bows are pretty starkly different sizes because of the cut, right? I thought you were more talking about the way the tuba was wrapped.UncleBeer wrote: Mon Sep 25, 2023 3:46 pmEither leave it alone (what the hell's wrong with BBb anyway, if a horn plays great?), or re-taper, or make suitable bows from scratch which won't be such an acoustical nightmare.
Pure luck then. And what a shame for the horns he turned into junk.LargeTuba wrote: Mon Sep 25, 2023 3:52 pm I have played some cut horns that have turned out very nice, even if the means of cutting aren’t ideal. I have also tried some cut horns that are absolute dogs. The one cut York 6/4 CC I tried was fantastic in every way!
I hope it plays well, but I have no desire to own it. Well, if I could buy only the bell, that might be interesting.Sousaswag wrote: Mon Sep 25, 2023 4:05 pm If I had the disposable money this horn would be mine. Weirdness and all. I’d LOVE a big horn like this.
I toyed with the idea of trying to buy it but I just don’t NEED it.
Right?
Heh-heh. C'mon, man: no politics.
Search through and find Wade's series on rebuilding his Rusk-cut Holton 345 and what he did to make it more to his liking. This would give you a view on how Mr. Rusk shortened up a BBb to CC.arpthark wrote: Mon Sep 25, 2023 4:24 pm How are these fit together if there is such a big difference in diameter between the cut bows? Just lots o' solder at the ferrules?
The way Rusk did it (cutting and then telescoping ends of bows inside each other) creates a stairstep interior wall which is not conducive to formation of standing waves inside the instrument. A smooth interior bore is what makes that possible.arpthark wrote: Mon Sep 25, 2023 3:49 pm I see what you're saying now—the bows are pretty starkly different sizes because of the cut, right? I thought you were more talking about the way the tuba was wrapped.
He was (one of?) the first people to really take on the "cut a 6/4 to CC" projects, and to any sort of scale as well. My impression is that his tubas were generally well-regarded at the time, because they filled a gap in availability that otherwise had no options. That is, there really weren't any other 6/4 CC options (or very, very few), so by default, his was well regarded because it existed.arpthark wrote: Tue Sep 26, 2023 9:03 am I thought the Rusk cut horns were more well-regarded. I am glad that I stirred the tuba pot a bit!.