instrument playing temperature (mostly an orchestra or church gig issue)
Posted: Sat Feb 24, 2024 12:38 pm
Trumpets, trombones, and even horns warm up in a minute or less, and are pretty easy to keep warm.
Tubas (and even skinny cimbassos - as cimbassos are configured in the shape of radiators and air intakes) present a challenge.
Last night (looking over stuff for Sunday), I spent enough time with the F cimbasso (in particular) to ACTUALLY get it completely warmed up.
Hearing that the pitch center had crept up significantly, I pulled the tuning slide (very long tubes at the bottom of the instrument and awkward to move) roughlyl 5/8th of an inch (x 2) to get it DOWN TO A=440 (again, after several minutes of playing and - as a rare instance, and usually only at home - the thing actually being warmed up).
Predictably (this morning: the cimbasso cold again), the pitch was stinky-flat.
FULL warm-up of the instrument probably happens when playing two ("busy") or more pieces in a row at pops concerts, but (when I'm playing a 2nd/bass 'bone part (that really NEEDS to sound like a trombone - instead of a tuba) on a church gig, it's often a postlude, or some other part of the service whereby - previously - there has been a considerable time gap in the brass playing.
Were I playing a tuba, I could reach down and (during a two-bar rest, etc.) adjust the main slide a bit.
SEVERAL of my tubas (certainly most of the factory-built-ones) needed to have their tuning slide ferrules shortened (fortunately I can do that myself) to give me enough "room" to play up to pitch with the instrument cold.
Again re. the cimbasso's main slide: It's just not feasible to adjust the main slide - even during an empty stanza or bridge - as the visual is ridiculous, and the care that must be taken (in typically crowded quarters) is beyond a normal comfort zone...
...so about the only thing that has occurred to me as a way to manage this (cimbasso-wise) is to pull the main slide out JUST A BIT (1/4 inch or so), and - as the instrument's pitch center climbs (as the instrument warms up), I HOPE that the OTHER brass players' pitch centers slightly climb as well.
ie. I "lip up" (just a bit) at the beginnings of pieces, and (well...) LISTEN (particularly critically) - as a piece proceeds onward.
I really can't think of a more effective way to deal with the issue.
I know that "cimbasso ownership/use" does not represent the majority (perhaps not any sort of significant percentage), here, but (well...) these are issues, and this is a "thing".
main slide "trigger"?
yeah...but the instrument plays really well in tune with itself...and with this pair of (14 inch...maybe, they're actually a bit longer?) inside slide tubes, (yes, the alignment is good enough, but) I really don't care to remove enough metal from the outsides of the inside slide tubes for it to move that easily...It might not "leak", but - yet - it would (well...) leak...if you get what I'm attempting to express.
OK...To the TUBA players (forget the cimbasso, as that's so few here) who play in orchestras and do church gigs (whereby - even with attempts to keep your TUBA warm) you end up having to play with the instrument cold...You're employing "start with the main slide in, and move it out - as the instrument warms" technique, yes...??
Tubas (and even skinny cimbassos - as cimbassos are configured in the shape of radiators and air intakes) present a challenge.
Last night (looking over stuff for Sunday), I spent enough time with the F cimbasso (in particular) to ACTUALLY get it completely warmed up.
Hearing that the pitch center had crept up significantly, I pulled the tuning slide (very long tubes at the bottom of the instrument and awkward to move) roughlyl 5/8th of an inch (x 2) to get it DOWN TO A=440 (again, after several minutes of playing and - as a rare instance, and usually only at home - the thing actually being warmed up).
Predictably (this morning: the cimbasso cold again), the pitch was stinky-flat.
FULL warm-up of the instrument probably happens when playing two ("busy") or more pieces in a row at pops concerts, but (when I'm playing a 2nd/bass 'bone part (that really NEEDS to sound like a trombone - instead of a tuba) on a church gig, it's often a postlude, or some other part of the service whereby - previously - there has been a considerable time gap in the brass playing.
Were I playing a tuba, I could reach down and (during a two-bar rest, etc.) adjust the main slide a bit.
SEVERAL of my tubas (certainly most of the factory-built-ones) needed to have their tuning slide ferrules shortened (fortunately I can do that myself) to give me enough "room" to play up to pitch with the instrument cold.
Again re. the cimbasso's main slide: It's just not feasible to adjust the main slide - even during an empty stanza or bridge - as the visual is ridiculous, and the care that must be taken (in typically crowded quarters) is beyond a normal comfort zone...
...so about the only thing that has occurred to me as a way to manage this (cimbasso-wise) is to pull the main slide out JUST A BIT (1/4 inch or so), and - as the instrument's pitch center climbs (as the instrument warms up), I HOPE that the OTHER brass players' pitch centers slightly climb as well.
ie. I "lip up" (just a bit) at the beginnings of pieces, and (well...) LISTEN (particularly critically) - as a piece proceeds onward.
I really can't think of a more effective way to deal with the issue.
I know that "cimbasso ownership/use" does not represent the majority (perhaps not any sort of significant percentage), here, but (well...) these are issues, and this is a "thing".
main slide "trigger"?
yeah...but the instrument plays really well in tune with itself...and with this pair of (14 inch...maybe, they're actually a bit longer?) inside slide tubes, (yes, the alignment is good enough, but) I really don't care to remove enough metal from the outsides of the inside slide tubes for it to move that easily...It might not "leak", but - yet - it would (well...) leak...if you get what I'm attempting to express.
OK...To the TUBA players (forget the cimbasso, as that's so few here) who play in orchestras and do church gigs (whereby - even with attempts to keep your TUBA warm) you end up having to play with the instrument cold...You're employing "start with the main slide in, and move it out - as the instrument warms" technique, yes...??