Taken from 36 études transcendantes for trumpet, 1926:
1. In an orchestra, be attentive and do not speak whilst a piece is being played (except when absolutely necessary).
2. Keep your instrument in perfect playing order and choose mutes which do not distort the sound in any part of the range.
3. Do not practice loudly while the orchestra is warming up; especially avoid going through passages in the work to be played -- this is in bad taste.
4. Do not turn pages noisily, especially when the orchestra is silent.
5. Be in your seat in time and, during rehearsals, go out as little as possible.
6. Pull the slides out gently with the valves lowered so as not to cause the compressed air to pop.
7. Do not blow noisily down the instrument to drain it of moisture. Gentle, more prolonged blowing is much more effective.
8. Tune and adjust your instrument before beginning. When playing in a concert, check whether the temperature of the hall differs from that of the dressing room. Remember that heat pushes up pitch and cold reduces it and tune the instrument sharper or flatter accordingly.
9. If you are going to play an offstage part, remember that the instrument will sound fainter and lower in pitch in the distance. So make a test in advance, to see at what volume and pitch you need to play.
10. Count bars carefully and always be aware of printed cues. Whilst errors can be made in counting bars, cues can always be trusted.
11. Follow the indications of the conductor. Be alert and prepared to adapt to required changes in balance or phrasing. Be prepared to diminish or increase your volume as part of a team.
If you follow these suggestions your work will be well regarded.
"Advice to Young Players" (Théo Charlier, 1926)
Forum rules
This section is for posts that are directly related to performance, performers, or equipment. Social issues are allowed, as long as they are directly related to those categories. If you see a post that you cannot respond to with respect and courtesy, we ask that you do not respond at all.
This section is for posts that are directly related to performance, performers, or equipment. Social issues are allowed, as long as they are directly related to those categories. If you see a post that you cannot respond to with respect and courtesy, we ask that you do not respond at all.
- arpthark
- Posts: 3880
- Joined: Mon Aug 24, 2020 4:25 pm
- Location: Southeastern Connecticut
- Has thanked: 943 times
- Been thanked: 1062 times
- Contact:
"Advice to Young Players" (Théo Charlier, 1926)
- These users thanked the author arpthark for the post (total 4):
- hrender (Thu Apr 11, 2024 3:16 pm) • Mark E. Chachich (Thu Apr 11, 2024 3:20 pm) • graybach (Sun Apr 14, 2024 12:17 pm) • Ace (Mon Apr 15, 2024 1:26 am)
Blake
Bean Hill Brass
Bean Hill Brass
- jtm
- Posts: 1107
- Joined: Sat Aug 15, 2020 2:51 pm
- Location: Austin, Texas
- Has thanked: 698 times
- Been thanked: 209 times
Re: "Advice to Young Players" (Théo Charlier, 1926)
Number 3 for sure!
John Morris
This practicing trick actually seems to be working!
playing some old German rotary tubas for free
This practicing trick actually seems to be working!
playing some old German rotary tubas for free
- Three Valves
- Posts: 4604
- Joined: Thu Aug 13, 2020 4:07 pm
- Location: The Land of Pleasant Living
- Has thanked: 812 times
- Been thanked: 500 times
Re: "Advice to Young Players" (Théo Charlier, 1926)
I suppose the advice on hygiene and grooming arrived after 1926?
Thought Criminal
Mack Brass Artiste
TU422L with TU25
1964 Conn 36k with CB Arnold Jacobs
Accent (By B&S) 952R with Bach12
The Fourth Estate is the Fifth Column
Mack Brass Artiste
TU422L with TU25
1964 Conn 36k with CB Arnold Jacobs
Accent (By B&S) 952R with Bach12
The Fourth Estate is the Fifth Column
- bloke
- Mid South Music
- Posts: 19244
- Joined: Thu Aug 13, 2020 8:55 am
- Location: western Tennessee - near Memphis
- Has thanked: 3822 times
- Been thanked: 4078 times
Re: "Advice to Young Players" (Théo Charlier, 1926)
12. Remember the the Executive Director and the Board of Directors view you as "the help", and that their objective is to make certain that the cost of hiring "the help" remains at 1/10th or less of the annual budget.
...so if (as an example) you play in a $1.7M/yr. per service orchestra, don't expect that you and your musical colleagues will be paid out more than $170K (total for all of you put together) for the year...and - most likely - less than 10%.
...so if (as an example) you play in a $1.7M/yr. per service orchestra, don't expect that you and your musical colleagues will be paid out more than $170K (total for all of you put together) for the year...and - most likely - less than 10%.
Re: "Advice to Young Players" (Théo Charlier, 1926)
Thanks, Arpthark, happy times, when parents educated their youngsters to accept instructions like that
Hubert
Hubert
Re: "Advice to Young Players" (Théo Charlier, 1926)
I have broken literally every one of these rules. Thanks for the reminder.
Romans 3:23, 24
B&S MRP-C
Boosey & Hawkes Imperial 19" Eb
Besson New Standard 15" Eb
John Packer 379 FF
B&S MRP-C
Boosey & Hawkes Imperial 19" Eb
Besson New Standard 15" Eb
John Packer 379 FF