WARNING: Like the post I made in my 186 thread today, this is a technical post with little to do except explain what is going to be happening soon and has no report of new work. It is an announcement of the resurrection of a dormant project and will be followed up with photos of progress starting in a couple of weeks, perhaps the end of March. If you just want to see the pretty pictures then you can skip this post. But when it starts popping up every day again you may want to tune back in.
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Okay, so when this horn pops back up on the workbench in the next two weeks I will be taking the whole valve section apart again. The whole thing. That I struggled with for months. Apart.
However, I own some much better tools now, and I have been able to incorporate back into my work some very old, atrophied skills. There are a few things about that valve section that have bugged me for a long time — personal disappointments after so much good work — that I intend to do the whole thing over. I now know how to calculate a few things more accurately and finally have my silver soldering and dent machine skills back to where I am no longer stressed about that sort of work.
The incorporation of Miraphone 186 slide tubing and crooks really allowed me to do what I was unable to do the first time I rebuilt the valve section years ago using tubing from Allied and the B&M crooks that came with the tuba. However, the lower third crook I chose (the 5th crook from a 186), while only being a quarter of an inch wider than the B&M original, needed to have the knuckle on the valve cut off and extended, and I was quite proud of what I managed to do. Of course, much later down the road I noticed old photos of this tuba's 3rd slide and saw how differently clocked that slide was now. It did not seem to matter back then, but now that I am about to put the valve section onto the bugle I see that it will not allow me to use the 4th slide routing that I had worked hard to come up with.
Because
of course this would happen to me. Heh, heh, heh…
My plan is to remove the cut knuckle, realign the lower slide, and then cut a slightly longer knuckle and align it better to the slide. BOOM. Happiness.
I have never been pleased with the action of my 2nd slide. The tubing I used was slightly misshapen, so even after considerable lapping, it is still difficult to pull. Add to that the fact that right now there is a tiny misalignment that on such a short slide and the action sort of sucks, to be honest. So that will receive new tubing and a handmade brace of the correct spread.
Actually, both of the braces between the upper 1st and 3rd slides and the 2nd will be scratch-made. Hooray, skill set counter-atrophication! I can properly address all the little things that I had to let slide because they, in reality, were not little things for me at that time.
I also want to work on my goofy tube end bands. They are eye candy, to a certain extent, but I really like such things at they reinforce the outer slide tube ends. I have had bad luck with a few tubas with bare slide tube ends, so these will be a boon for this tuba. However, I did not own a lathe when I made and installed them.
Also, many of my slide tube sets are very close to being perfectly flat and level, but I had to eyeball every, last one of them. In my current situation, I can do this sort of task much more accurately, as in perfect within a few thou. My lathe has been carefully gone over, cleaned up, repaired, and finally: adjusted. I can use it. I have not done anything with it yet, but that will change by Easter, I think.
I look at photos of this horn and see all this mess that I was proud of when it was that good using a broken screwdriver and duct tape. But it needs to be better now that I can make that happen.
One thing that I have not talked about much in the past is a rather vain or silly thing. I like my horns to match as though they are part of a set. This has happened in the past by accident, and I decided that I liked it. I have also developed a very specific look that I want, and now all my horns will share this, once I do a bunch of learning and practicing with some new tools I recently picked up.
I have been practicing with my dent machine "guard wheels" and have become fairly proficient with them. Soon I should be able to fashion a top bow guard from the badly damaged, castoff bottom bow guard from my cut 186. Then I have to locate the correctly-sized nickel silver sheet for my bottom bow guard. I intend to copy the one that is there and to imitate that pattern for the top bow since the Holton only has a guard wire on the top bow right now. I believe that this will be a fun project to work on.
I have also decided to more carefully leak test the piston set. If I take the valve section all the way down again, and the piston fit is not excellent, then I'll probably make an appointment to send them to Dan Oberloh. This would, of course, set my project back very far and cost me a lot of money, so I have to test the valves and think about this carefully. This horn is a long-term keeper, so it would be stupid of me to have the valves free of the horn (and easily shippable) and *not* get this work done if it is needed.
So after all that work, I am taking the valve section completely apart again.
<sigh…>
It will be good to get back to work on this horn and finally finish it. I *miss* playing it in the orchestra!