Miraphone 56B
Variously described as a tenor tuba or kaiser baritone
Reason for asking: I'm looking for something that has a brighter sound than a euphonium. The
Besson small-bore baritones are a bit cramped for my taste and I'm hoping a larger bore might be the ticket.
Trying to decide if it's worth a road trip.
Hup
Anyone ever played one of these?
Forum rules
This section is for posts that are directly related to performance, performers, or equipment. Social issues are allowed, as long as they are directly related to those categories. If you see a post that you cannot respond to with respect and courtesy, we ask that you do not respond at all.
This section is for posts that are directly related to performance, performers, or equipment. Social issues are allowed, as long as they are directly related to those categories. If you see a post that you cannot respond to with respect and courtesy, we ask that you do not respond at all.
- bloke
- Mid South Music
- Posts: 19313
- Joined: Thu Aug 13, 2020 8:55 am
- Location: western Tennessee - near Memphis
- Has thanked: 3850 times
- Been thanked: 4101 times
Re: Anyone ever played one of these?
I own a Melton made one (aka “Meinl-Weston”).
Mine is about 30 inches tall. The bell diameter is the same as most of the compensating euphoniums being currently produced, but the bugle is much fatter. When I measure down from the bell rim to the same place that a typical compensating euphonium‘s bell ends, my kaiser baritone bell is about 1/4th larger in diameter. The bore size in the rotors is about the same as a large bore compensating euphonium, but occurs a bit later in the instrument.
Miraphone may be different, but the sonority of mine is anything but brighter, and - to get the type of sound that I prefer, I need to go down to something like a 6-1/2AL or 5G, as typical compensating euphonium mouthpiece offers a sonority that is too dull…
…but why not go look at it? The least you’ll get is a free education.
Mine is about 30 inches tall. The bell diameter is the same as most of the compensating euphoniums being currently produced, but the bugle is much fatter. When I measure down from the bell rim to the same place that a typical compensating euphonium‘s bell ends, my kaiser baritone bell is about 1/4th larger in diameter. The bore size in the rotors is about the same as a large bore compensating euphonium, but occurs a bit later in the instrument.
Miraphone may be different, but the sonority of mine is anything but brighter, and - to get the type of sound that I prefer, I need to go down to something like a 6-1/2AL or 5G, as typical compensating euphonium mouthpiece offers a sonority that is too dull…
…but why not go look at it? The least you’ll get is a free education.
- LeMark
- Site Admin
- Posts: 2837
- Joined: Wed Aug 12, 2020 8:03 am
- Location: Arlington TX
- Has thanked: 77 times
- Been thanked: 819 times
Re: Anyone ever played one of these?
I owned one. (actually the 4 valve version) Really bad low range, in fact I removed the 4th valve for another project and sold it as a 3 valve instrument.
Didn't play particularly in tune either. The oval version is a better horn
Didn't play particularly in tune either. The oval version is a better horn
Yep, I'm Mark
- Mary Ann
- Posts: 3030
- Joined: Thu Aug 13, 2020 9:24 am
- Has thanked: 519 times
- Been thanked: 598 times
Re: Anyone ever played one of these?
I had one similar but it was not a Miraphone. Maybe a Melton....but it was so horribly out of tune with itself that it got played only a few times. I actually don't remember what tone quality it had, but pretty sure it did not sound anything like my Sterling euph that I ended up with. I had it because I don't do well with pistons, and still don't, but couldn't find a rotary that was playable with my intonation standards.